Stage hire

Intasound P.A. & Lighting offer a wide range of staging solutions.
Our extensive hire stock includes 2x1m, 1x1m, 2×0.5m, Curved and quadrant sections. Accessories include modular treads, handrails, jacks and valance.
Competitive rates available on dry hire or delivered and installed.

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Another successful week supplying audio and production services for the elections.
Utilising exclusively Martin Audio cabinets, featuring XD12, DD6, F8+, Martin Audio amplifiers with processing from XTA.
The design covered the main arena and 5 break-out rooms with feeds outside for public.
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Happy New Year !

Happy New Year ! We would like to wish you all a happy and healthy 2024

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Chamsys Control Consoles

Did you know we now stock Chamsys MQ70 & Quick Q 20 consoles?
Available to hire now.

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Happy New Year

Wishing all our customers past & present a very Happy and Prosperous New Year.

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30 Year Anniversary

This month sees Intasound P.A. Worcester celebrate 30years.
From humble beginnings, supplying sound and lighting to the local music scene, to the present day providing production rental  and sales solutions to some of the most prestigious venues and artistes worldwide.

Thank you to all our clients old and new for three incredible decades . We look forward to seeing you all in our special anniversary year.

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Available to hire :
Smartbat PLUS LED Uplighters

IP65 Rated for outdoor use. No worry of rain!
Battery Powered – Up to 12hrs from a charge
Wireless DMX , Stand alone or Remote Control
High Power 4x12w LEDs RGBW
Great for venue uplighting, exterior wall washing, tree lighting.
Professional WDMX for trouble free wireless control.

Packages of 6 fixtures in charging flightcase, with remotes or wireless dmx transmitter.

Call or email for more info and prices.

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Intasound PA – Your Sennheiser Partner

Monday 5th December 2016

Another Intasound P.A. eRack completed for a Staffordshire theatre company.

All Sennheiser Evolution products including spares stocked. Call or email for prices.

Intasound P.A. are an authorised Sennheiser partner.erack-front1 erack-rear sennheiser-logo

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DPA d:fine 4088 Dual Ear Directional Headset Systems now available to hire.

Adding to our existing DPA 4066 stock.DPA d fine 4088 DPA

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Eddie Izzard is no stranger to Martin Audio sound systems, having been performing through their line array systems as far back as 2003’s Sexie tour.

But for his recent four week residency at London’s Palace Theatre he revved up his previous Force Majeur show into a Force Majeur Reloaded version — and this time Martin Audio’s long-term Worcester-based partner, Intasound, provided the PA, with proprietor Francis Dale dipping heavily into his inventory.

The opportunity came along following the 10-week run at the same venue by Derren Brown, at the suggestion of the artist’s production manager Blair Halliday, who recommended them to Izzard’s production man, James Kelly. And so as one Intasound system loaded out, the new Martin Audio system moved in.

Explained Francis Dale, “These were two very different performances and this required us to go from creating a more intimate sound with the point source system to a full flown line array for Eddie’s more rock ‘n’ roll style presentation.”

For Eddie Izzard’s stalwart sound engineer, George Glossop, Intasound deployed 28 W8LM Mine Line Array cabinets in total — eight a side for the main hang, with three flown in the stalls and three ground stacked in the dress circle.”

With four tiers in the 1400 capacity theatre, including gallery, requiring even sound coverage, careful placement had been essential, particularly in the upper circle. WS218X subs were stacked either side of the stalls in front of the proscenium arch, while Martin Audio DD6’s were placed across the front of stage as lip fills, to cover the ‘dead’ area in front of stage — an increasingly popular solution for sound designers — and four F8+ were used as outfills in the stalls and Upper Circle areas.

Completing the deployment, on the stage Izzard received his reference sound through four Martin Audio LE1200 wedge monitors, while a W2 on either side of the stage provided sidefills.

“This was all about getting great vocal clarity delivered to every seat,” stated Dale. “Aside from the entry and exit music play-in at the beginning and end of both halves, including the big finale, the delivery was all from vocal mic.

“It all worked extremely well and we received great feedback from Mick Perrin Worldwide, the management company, after the shows.”

  • Thanks to Gerry GilbertEddie Izzard 1 Eddie Izzard 2
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