Merry Christmas & Happy New Year to all our customers!

Thank you for another great year.

Opening times over the Christmas period :

21st December 2018 10am-4pm
24th December 2018 10am -12pm
24th December 2018 12pm- 2nd January 2018 – CLOSED
3rd January 2019 – Open as normal 9am – 5pm

Urgent enquiries – Please email sales@intasoundpa.co.uk this will be regularly checked.

www.intasoundpa-shop.co.uk

New, Used, Ex Hire, Ex Demo Sound & Lighting Bargains.

Eddie Izzard is no stranger to Martin Audio sound systems, having been performing through their line array systems as far back as 2003’s Sexie tour.

But for his recent four week residency at London’s Palace Theatre he revved up his previous Force Majeur show into a Force Majeur Reloaded version — and this time Martin Audio’s long-term Worcester-based partner, Intasound, provided the PA, with proprietor Francis Dale dipping heavily into his inventory.

The opportunity came along following the 10-week run at the same venue by Derren Brown, at the suggestion of the artist’s production manager Blair Halliday, who recommended them to Izzard’s production man, James Kelly. And so as one Intasound system loaded out, the new Martin Audio system moved in.

Explained Francis Dale, “These were two very different performances and this required us to go from creating a more intimate sound with the point source system to a full flown line array for Eddie’s more rock ‘n’ roll style presentation.”

For Eddie Izzard’s stalwart sound engineer, George Glossop, Intasound deployed 28 W8LM Mine Line Array cabinets in total — eight a side for the main hang, with three flown in the stalls and three ground stacked in the dress circle.”

With four tiers in the 1400 capacity theatre, including gallery, requiring even sound coverage, careful placement had been essential, particularly in the upper circle. WS218X subs were stacked either side of the stalls in front of the proscenium arch, while Martin Audio DD6’s were placed across the front of stage as lip fills, to cover the ‘dead’ area in front of stage — an increasingly popular solution for sound designers — and four F8+ were used as outfills in the stalls and Upper Circle areas.

Completing the deployment, on the stage Izzard received his reference sound through four Martin Audio LE1200 wedge monitors, while a W2 on either side of the stage provided sidefills.

“This was all about getting great vocal clarity delivered to every seat,” stated Dale. “Aside from the entry and exit music play-in at the beginning and end of both halves, including the big finale, the delivery was all from vocal mic.

“It all worked extremely well and we received great feedback from Mick Perrin Worldwide, the management company, after the shows.”

• Thanks to Gerry Gilbert

Did you know we stock the Wentex Showtec Pipe & Drape system for hire?
This extremely well built versatile system offers many possibilities for hanging drape and star cloths. Easy to use and has many accessories for interesting designs.
Standard pieces are 1.8m – 4.2m telescopic height and 1.8m – 3m telescopic width.
Contact us with your ideas.

The “Lighting Strike” Strobe is a high power LED SMD strobe.
Featuring 448 x SMD white LEDs (7000K). Beam angle: 160°
This unit can act as a pure white wash or a high intensity strobe.
The LEDs are split across 4 blocks allowing chase patterns to be created. Only 105 watts and 3.6kg.
Quick video here:

Intasound have added Pro White COB LED Matrix Block 16 fixture to the hire stock.
Used as a blinder or pixel mapped fixture, this high power warm white LED unit can create some really interesting effects.
16 White (3200K) 20w COB LEDS. Can be joined together.
Call us for more info or to arrange a demo.